The dance tune “Chinquapin Hunting” comes from Virginia fiddler Norman Edmonds though it has evolved a bit from Norman’s version, as tunes often do. Download: TABRITE | TABLEDIT, Genre: Old Time Style: Clawhammer and Old-Time Key: Am Tuning: Sawmill (gDGCD) Difficulty: IntermediatePosted by janolov, updated: 6/4/2014 Also Available for Viola. “Pretty Little Shoes” is a straight-ahead square dance tune that comes from fiddler Ward Jarvis. “The Devil’s Nine Questions” is an old English folk ballad that was recorded by Texas Gladden, a great singer who was recorded by the Library of Congress in 1942. He starts with an exercise to help you get used to singing with your fiddle, first by singing an A major scale in unison with your fiddle and then in harmony with your fiddle.After learning the fiddle melody, you’ll learn to accompany your singing with some basic double stops for the chords of A, E, and D, as well as how to play the melody along with your voice, and even add some harmony notes on the fiddle. Bruce walks you through the melody of each part and shows you his bowing, which combines shuffle bowing with some three-note slurs and a few other variations that match the melody. I highlighted this in the MIDI by selecting "ringing note" for those notes. Download: TABLEDIT, Genre: Fiddle/Celtic/Irish Style: Clawhammer and Old-Time Key: G Tuning: Standard Open G (gDGBD) Difficulty: BeginnerPosted by skoobee, updated: 9/12/2010 - 2 Member Comments Salyer’s “Lost Boy” is in G, like “Lost Girl,” and has some similar melodic phrases, but it’s not “straight” like “Lost Girl,” it has an extra half measure in the A part, and some of Salyer’s distinctive phrasing. Download: TABRITE | TABLEDIT | MIDI [Play] [Download], Genre: Bluegrass Style: Bluegrass (Scruggs) Posted by schlange, updated: 4/15/2006 Genre: Old Time Style: Clawhammer and Old-Time Key: G Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by janolov, updated: 10/20/2011 This particular additional tension tends in order to make raising programs in pitch risky. the tension eight strings put on a new mandolin's top, bridge, and also neck is actually twice that will exerted by way of a fiddle's four. Genre: Rock Style: Unknown/None Chosen Key: G Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by sinnie5, updated: 5/9/2015 Download: TABLEDITNotes: This is the way I play the song in the key of G (the key of D is another story), and it varies in subtle ways from the other versions posted on BHO. As the beast turns its head sideways to look him in the eye â roosters turn sideways for a face to face â Yvon takes a shot. Genre: Bluegrass Style: Bluegrass (Scruggs) Key: Dm Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by 21stCenturyBanjo, updated: 4/6/2019 All Rights Reserved. Genre: Old Time Style: Clawhammer and Old-Time Key: G Difficulty: IntermediatePosted by LyleK, updated: 5/14/2010 My tab comprises some variations on how you can play it. Download: TABLEDIT | PDFNotes: Kentucky fiddler John Salyer's Lost Girl can be played in various tunings. The contrast between those phrases and the phrases played with straight shuffle bowing is really nice. Bruce’s version, which you’ll learn here, is a combination of a fiddle version by Norman Edmonds and lyrics culled from different sources. Download: TABLEDIT | MP3: [Play] [Download] | PDF | MP3: [Play] [Download] | MIDI [Play] [Download] | MP3: [Play] [Download], Genre: Fiddle/Celtic/Irish Posted by Yigal Zan, updated: 3/28/2012 Before he shows you the melody, Bruce shows you one of Tommyâs distinctive syncopated bowing patterns, which youâll use to play the A part. Download: TABLEDITNotes: Simplistic melodic of the great old wartime tune. There are a number of versions of “Fort Smith.” The version you’ll learn here comes from Luke Highnight and His Ozark Strutters, who recorded “Fort Smith Breakdown” in the 1920s. Third, the V chord -- i.e., G -- progresses to a G augmented. You’ll also earn some different ways to add chords and double stops to the fiddle part you play behind your singing. This great old tune is from Fiddlin’ Bob Larkin, who played with a band called the Melody Makers in the 1920s. It’s in the key of G in standard tuning. Genre: Other Style: Clawhammer and Old-Time Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by sproino, updated: 11/15/2015 You’ll also learn a bowing exercise that will help give the bowing in “Robert’s Serenade” a nice pulse. Download: TABRITE, Genre: Bluegrass Style: Bluegrass (Scruggs) Posted by schlange, updated: 4/16/2006 - 1 Member Comments He’s probably best known for a unique version of “Black-Eyed Suzie” as well as his tune “Robert’s Serenade,” which is in AEAE tuning and closely related to “Clinch Mountain Backstep.” It’s a crooked tune with a number of syncopated five-beat phrases, and Bruce starts by getting you to feel those phrases, before walking you through the melody. Genre: Bluegrass Style: Bluegrass (Scruggs) Key: G Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by corcoran, updated: 5/30/2013 - 1 Member Comments Web, DwightDiller.com. Turkish violinists may deviate slightly from “standard” classical tuning to use D, A, D, G. And the traditional folk and fiddle music of the Americas also offer a variety of tuning systems. We would like to show you a description here but the site wonât allow us. Genre: Old Time Style: Clawhammer and Old-Time Key: G Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by EulalieBlue, updated: 4/22/2020 Common Scales. Categories. Download: TABLEDIT. Genre: Bluegrass Style: Bluegrass (Scruggs) Key: G Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by kmwaters, updated: 12/19/2013 - 1 Member Comments Download: TABLEDITNotes: www.frettedinstrumentsnyc.com, Genre: Old Time Style: Clawhammer and Old-Time Key: A Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by Fortune, updated: 2/3/2010 Bruce walks you through the melody and bowing and and shows you some double stops and drones you can add to accent the chords as well as a bow trill, a common ornament in the Virginia/North Carolina region. The melody includes some nice trills, slides, and blue notes and it has a very specific bowing. There are a number of different versions of the old-time fiddle classic “Dusty Miller,” but this one comes from the pioneering Texas fiddler Eck Robertson. Once you’ve learned to play and sing the melody together, Bruce shows you some simple double stop chords and how to add them to the melody. The other tunings I use, such as G Variant, D modal, or Sawmill generally deviate only slightly from one or another of the basic tunings, and retuning is usually managable, unless the setting is particularly noisy. Genre: Old Time Style: Clawhammer and Old-Time Key: C Tuning: Double C (gCGCD) Difficulty: IntermediatePosted by stigandr5, updated: 6/9/2012 - 1 Member Comments This is a Quebecois tune that is played often in the Olympia session. Bruce also shows you how to add a drone and double-stop accents to the second part. Download: GIFNotes: Tuning: gDADE. Many of them are gone now.....but their music lives on.... Download: JPEG | MP3: [Play] [Download]Notes: Quebecois tune written by Jean Duval. Note that it is in the key of D, but I play it out of conventional G tuning. Genre: Bluegrass Style: Bluegrass (Scruggs) Key: G Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by webadage, updated: 9/2/2013 Download: TABLEDIT. This is an easy beginner version based on simple "bum-di-ty" pattern and some hammering-on and pull-offs. Genre: Ragtime Style: Unknown/None Chosen Key: G Tuning: Standard Open G (gDGBD) Difficulty: IntermediatePosted by AllanJ, updated: 7/19/2014 Download: TABLEDITNotes: Couldn't find a decent tab on the internet, and so I transcribed it. Used in a lot of old-time banjo music (with two C notes): G, C, G, C, D. C Tuning or Drop C. Known as ‘C Tuning’or ‘Drop C’ G, C, G, B, D. D Tuning. Download: TABLEDIT. Genre: Old Time Style: Clawhammer and Old-Time Key: D Tuning: aDGBD Difficulty: ExpertPosted by TheBanjoPrince, updated: 10/28/2011 Download: TABLEDIT | MP3: [Play] [Download] | PDF | MP3: [Play] [Download] | MIDI [Play] [Download] | MP3: [Play] [Download]Notes: Doc Watson “Citaco” is in GDAD tuning, which just involves lowering the E string to D. The bowing has a nice syncopated feel, and you’ll learn a couple of bowing variations as well as drones for both parts.
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