,Gallery Ludorff ,Brussels, Belgium, The Art of Helping: 25 Years of fiftyfifty: Charity Exhibition ,Brussels, Belgium, Early Works “l.m.v.d.r.” The New York Times (October 5, 2001): E31. 141 (1988): 87. 125 (1988) Fellner, Raija. Die Ausstellung „Thomas Ruff" im K20 zeigt Fotoserien aus den vergangenen 20 Jahren von einem der wichtigsten Vertreter der zeitgenössischen Fotografie. Wulffen, Thomas. ,Zürich, Switzerland, Faces a Look at the Other ,Richard Levy Gallery “Big at Basel.” Artnet.com (June 3, 2008) [ill.] [online] Tappis, Jordan. Edited by Yves Aupetitallot. “The Aesthetics of the Pixel.” IANN, Vol. Text by Andreas Bee. ,Galerie Rüdiger Schöttle Cologne, Germany. For example, if medical photography is used in a journalistic way, or with the Stars, a scientific archive isn't used for scientific research but for my idea of what stars look like. ,David Zwirner, Hong Kong ,Winterthur, Switzerland, One Third White Frankfurt and Bonn, Germany. Loghetta Lombarda and Frankfurter Kunstverein. Texts by Eugen Blume, Joachim Jäger, Gabriele Knapstein. Sala de Arte la Recova. Texts by Filippo Maggia. Heinz Liesbrock, Stefan Barmann. John Baldessari: 309 exhibitions from Jun 1960 - Nov 2020, exhibition venues worldwide of artist John Baldessari, Exhibition History, Summary of artist-info.com records, Solo/Group Exhibitions, Visualization, Biography, Artist-Portfolio, Artwork Offers, Artwork Requests, Exhibition Announcements . Thames & Hudson. Ostfildern-Ruit, Germany. ,Midtown, New York, USA. [ill.] Weski, Thomas. “Fotografisch konstruierte Wirklichkeiten.” Kritisches Lexikon der Gegenwartskunst. Figuracions Contemporànies, Museu d’Art Contemporani de Barcelona, Barcelona, Spain [catalogue] Eastenders, The Annual Programme, Tampopo Noodle Restaurant, Manchester, England Collection un autre Regard, Musée d’Art Contemporain, Bordeaux, France Wounds: Between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden [catalogue] Arrêt sur image, Art & Public, Geneva, Switzerland Fast Forward - Image, Kunstverein Hamburg, Hamburg, Germany, Love Boat - Collection, Musée d’Art Contemporain de Rochechouart, Rochechouart, France Photographie - Die Sammlung IV, Städtische Galerie im Lenbachhaus, Munich, Germany Instant paysagers, La Galerie du petit Château, Sceaux, France ARTERIAS, Konsthall Malmö, Malmo, Sweden Thomas Ruff | Günther Förg, Galerie Rüdiger Schöttle, Munich, Germany Landscape & memory, Haines Gallery, San Francisco, CA ANOS 80, Galerias do Edificio Sede da Caixa Geral de Depósitos, Lisbon, Portugal [catalogue] PHOTOIMAGE: Printmaking 60s to 90s, Museum of Fine Arts, Boston, MA [catalogue]. Pocock, Philip. Moderalog, Meerbusch. Following a first presentation in 1992 Anton Kehrer again exhibits in the gallery-space of Wilhering Monastery. ,3e, Paris, France, I Wanted to Be a Photographer Berlin, Germany. Tenir L'Image à Distance, 1989. ,Bankside, London, UK, Image Building: How Photography Transforms Architecture “Thomas Ruff. ,Porto, Portugal, Faces - a Motif Between Figure and Portrait Mask Im Buch gefunden – Seite 82KASPER KÖNIG : Welche Position hatte in diesem Kontext die Fotografie ? ... THOMAS RUFF : Mit einer künstlerischen Arbeit kann man natürlich keine Politik ... ,Essen, Germany, Gallery Selection: Edition Works Musée des Arts Contemporains. Thomas Ruff: Erste Maschinen, 2003. Hürzeler, Catherine. 6, No. London, England. Edited by Fabrizio Tramontano. Museo Luigi Pecci. Rheinische Post.” No. 32 (2000): 3-10. ,Pera Museum 148 (1990). ,Vedovi Gallery ,Museum of Contemporary Art (MCA) Chicago Thomas Ruff, 1991. From Postcards to Social Media A collage of paintings and sculptures - a wild looking figure in a black-and-white landscape on the right and a colourful portrait with metal sculptures in between on the left. ,Galeria Estrany-de la Mota ,Bosque de Chapultepec, Mexico City, Mexico, Art in the Age of the Internet, 1989 to Today “Big Hot Blurry Painterly Nudes!” The New York Times (May 18, 2003): 1, 29. [insert] SELECTED CATALOGUES AND BOOKS 2008 Cologne, Germany. A collage of paintings and sculptures - a wild looking figure in a black-and-white landscape on the right and a colourful portrait with metal sculptures in between on the left. 126 (1988) “Portraits Return in a New Perspective.” The New York Times (June 26, 1988): 31-32. Double identity, Galerie Johnen + Schöttle, Cologne, Germany Une seconde pensée du paysage, Centre d’Art Contemporain du Domaine de Kerguéhennec, Bignan, France Einsamkeit: Un sentimiento aleman, Monasterio de Verula, Tarazona, Spain [itinerary: Fundación ‘La Caixa’ Madrid, Spain; Sala Catalunya, Barcelona, Spain; Casal Solleric, Palma di Mallorca, Spain [catalogue] oh! and negatives Deutsche Bank. Text by Nicholas Baume. ,Munich, Germany, Next to You ,Gagosian Gallery, London (Davies Street) “Tear the Ruff off.” Time Out New York (September 13-20, 2001): 63. Frankfurt, Germany. ,MMK, Museum für Moderne Kunst Frankfurt Im Buch gefunden – Seite 26415 John Baldessari , Man Running / Men Carrying Box 16 Thomas Struth , Musée ... Mediums als einer selbstständigen künstlerischen Ausdrucksform stehen . Rückkehr ins All, 2005. ,Nicolas Krupp Thomas Ruff. Kleve, Germany. ,Museo Ettore Fico Rivoli, Italy. Hermes, Manfred. ,Haus der Kunst Art-World Spectacle from Dubai to Dublin.” Circa (Summer 2007): 44-53. Texts by Friedhelm Hütte, Christina März. Thomas Ruff: Identificaciones, 2002. Blown Away, 2007. Museo Tamayo Arte Contemporáneo. ,Midtown, New York, USA, VV.AA. Edited by Burkhard Riemschneider, Uta Grosenick. Fowler, Joan. Double vision, Pera Museum, Turkey, Beyoglu, Colori. How To Carry the World On One's Back? Minneapolis, MN. A completely different examination of the private photo archive under digital conditions can be found in work by Jörg Sasse. Architektur von Herzog & de Meuron, 1991. Lives and works in Dusseldorf, Germany. Galleria Civica Modena. to : Night: Contemporary Representations of the Night, 2008. Philip Pocock im Gespräch mit Thomas Ruff.” Bateria, No. Saltz, Jerry. “Die letzten Paradiese.” Der Tagesspiegel, Vol. [ill.] “Thomas Ruff at 303 Gallery.” Artforum (Summer 1993), 1992 Troncy, Eric. Vol. Galerie Fotohof. Hanover, Germany. ,Galerie Rüdiger Schöttle ,Museu Coleção Berardo ,Konrad Fischer Galerie, Dusseldorf Sie können als subjektives Zeit-Dokument (von Opies Community, s.o.) Kestner Gesellschaft. Harry N. Abrams, Inc. Nudes, 2003. ,Proa Foundation No 250. ,Future Gallery, Berlin Valentien. “BiNational. ,Kunstmuseum Den Haag ,Centro de la Imagen Mexico “Photo-Text.” Artis (December 1993): 26-31. ,Cologne, Germany, Archive Fever: Uses of the Document in Contemporary Art UNION was established June, 2003 in London and is run under the directorship and owner Jari Lager. “History’s Shadow.” Art & Auction (September 2004): 38. ,Düsseldorf, Germany, Mies In Mind Text by Rupert Pfab. “Licht! Museum für Moderne Kunst. Jahrhunderts, 1998. NAi Publishers. Hamilton, Ontario, Canada. Klassentreffen mit Thomas Ruff.” Monopol (2006): S46-57. ,London, UK, Pink I also wanted to move the so-called künstlerische Fotografie boundary. (December 1988): 167-168. The main exhibition TRUST/Vertrauen shows works from Hoda Afshar (IR/AUS), Viktoria Binschtok (GER), Ingrid Eggen (NOR), Paul Mpagi Sepuya (USA), Laure Prouvost (FRA), Carmen Winant (USA) and Guanyu Xu (CHN) f-stop-leipzig.de. Museum für Moderne Kunst. Sydney, Australia. ,Augen Gallery (Desoto Building) Thomas Ruff in interview with Philip Pocock, Düsseldorf, 1993: Ruff: «When I was eighteen I had to decide whether to become an astronomer or a photographer. ,Fondazione Sandretto Re Rebaudengo Allan Sekula, and 9 more Symbolic policies, collective identities and politics of representation, Collectivity, Thomas Ruff, Karin Sander, Douglas Huebler, Beat Streuli, Fiona Tan, Yang Zhenzhong, and Gillian Wearing ,Dublin, Ireland, Prix Pictet: Space Photography Reborn: Image Making in the Digital Era, 2005. ,Munich, Germany, Thomas Ruff: Photographs 1979 - 2017 1987 Bamberg, Munich and Berlin, Germany. ,Gallery of Photography ,Műcsarnok/Kunsthalle Text by Lynne Cooke. Text by Filippo Maggia. Thomas Ruff, 1992. 3, Vol. Centre national de la photographie. Nudes.” NY Arts Magazine (June 2000): 73. Matthias Winzen. ,Konrad Fischer Galerie, Berlin Ein Foto muß es zweimal geben.” Kunstforum, Vol. ,Lugano, Switzerland, I Am a Problem Birgit Wudtke entschlüsselt die (Meta-)Programme der »Apparate« mit Hilfe ausgewählter Theorien und künstlerischer Positionen aus der Perspektive einer schreibenden Praktikerin und wagt eine Neuinterpretation der »Fotokunst« der ... Fast Forward: Collections for the Dallas Museum of Art, 2006. Fleck, Robert. Hacia el Paisaje. “Thomas Ruff at David Zwirner.” Art in America (November 2003): 166. The more recent works by Thomas Ruff also seem to react to these developments: His series «Nudes» (begun in 1999) is based on pornographic images from the Net (whether by amateurs or ‹professionals›). Institut für Auslandsbeziehung. ,Mitte, Berlin, Germany, Clue — Abstract Works Exhibition ,Essen, Germany, Candida Höfer, Thomas Struth & Thomas Ruff “Tender is the Nacht in Ruff’s Surveillance Photographs.” See, No. ,Mai 36 Galerie Im Buch gefunden – Seite 14... um Künstler , die mittlerweile eine internationale Position einnehmen wie Reinhard Mucha , Katharina Fritsch , Thomas Ruff und Martin Honert . Texts by Massimo Cacciari, Giandomenico Romanelli, Jean-Hubert Martin, Mattijs Visser, Norbert Jocks, Eddi de Wolf. Kunstmuseum. ,Barcelona, Spain, Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker ,Thessaloniki, Greece, Düsseldorf Photography: Bernd and Hilla Becher and Beyond Le College-FRAC, Champagne-Ardenne, Reims. Montreal, Quebec, Canada. ,Beverly Hills, Los Angeles, California, USA, Thomas Ruff: photograms ,Düsseldorf, Germany, Perspektiven der Fotografie Malmö, Sweden. “Die Magie des Realen, zu den Arbeiten von Thomas Ruff.” Parkett, No. Modena, Italy. 2003 Aletti, Vince. Ahead of the 21st Century: The Pisces. Moderation im Dialog. Centre Pompidou Musée National d’Art Moderne. “Thomas Ruff at Crousel-Robelin.” Flash Art, No. Vienna, Austria. Im Buch gefunden – Seite 168... Gallery Chris Ofili , Tal R , Thomas Ruff und Jörg Swap Berlin - London 2002 ... die unterschiedliche künstlerische Positionen beschreiben und in VOLKER ... ,Zürich, Switzerland, Histories Of Faces: Belting Variations “Interview with Thomas Ruff.” Journal of Contemporary Art, Vol. - Nov 27,2021, Gagosian Gallery, Hong Kong ,NRW-Forum Kultur und Wirtschaft New York, NY. ,Hartford, Connecticut, USA, Theories on Forgetting ,Beyoglu, Istanbul, Turkey, Colori. ,Sprüth Magers, Berlin ,Barcelona, Spain, Size DOES Matter 1986 Essen, Germany and New York, NY. ,Mudam Luxembourg, Musée d'Art Moderne Grand-Duc Jean ,Frankfurt, Germany, Ersan Mondtag: I am a problem ,Southend-on-sea, UK, 21st Century: Art in the First Decade Boston, MA. 'Thomas Ruff: Photographs 1979 to 2017' is at the Whitechapel Gallery, London, from September 27 to January 21 2018; whitechapelgallery.org Portrait by Dana Lixenberg Photographs: Thomas Ruff . Galerie der Stadt Esslingen. Günther Förg. “Critic’s Notebook: The Big Picture.” The New Yorker (October 1, 2007): 28. ,Konrad Fischer Galerie, Berlin 1999 Hürzeler, Catherine. Weitersehen 1980- 1990, 1990. ,ZKM | Center for Art & Media [ill.] Johnson, Ken. Er ist bekannt für großformatige Fotoserien von Interieurs, Innenansichten deutscher Wohnräume, sowie von Sexualakten und abstrakten, digitalen Kompositionen. 28 (1991): 88-91. The Twenty-Second Annual Infinity Awards, 2006. Paris, France. ,Mai 36 Galerie Sekiya, Mami. ,MAM, Museo de Arte Moderno de Ciudad de México Jh., 1997. Stadt-Bild-Köln. Reims, France. Text by Eleanor Heartney. Liebermann, Valeria. 13 likes.
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