Vintage Angenieux 25 - 250 mm f/3.2 Original C mount Lens Zoom Telephoto -lenses, focus, diaphragm, zoom all in good working order. There are literally only a few zoom options to choose from, all of which are PL converted rather than native. VINTAGE MOTOCROSS; Add to Wish List. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We take pride in our commitment to maintaining the highest quality service and equipment. Shot by Sean Donnelly, DP. READ MORE. Visitors to our digital cinema and film marketplace website can find new and used gear from all the major equipment manufacturers as well as individual sellers worldwide. I would say if you can stretch to this prize tag, there is probably nothing better that this one out there at a similar price point. These lenses deliver sharp warm images and are the perfect companion to our vintage lens sets. This optics lays the groundwork for what is currently known as Angenieux Optimo Style 25-250mm T3.5 zoom. I sure hope they will help you save some money on your future lens investments too. FJSInternational.com is the website for the leading international broker of high end cinema film and video equipment. With an image circle of 31.4mm diagonal, the lens is fit for illumination of S35 sensors. Cooke and Panavision dominate the list, together with Angenieux as the ultimate zoom solution for Sundance’s candidates. The leading manufacturers are shown in the table above. The Angenieux 25-250 HR zoom was the third generation Angenieux 10:1 zoom, released in 1991 it was popular for many years. The Angenieux 25-250 HR zoom was the third generation Angenieux 10:1 zoom, released in 1991 it was popular for many years. FJS International also sells many rehoused vintage lenses. Any of you have any other suggestions for vintage cine lenses around $1-2k? This is an improvement of the Angenieux 25-250 HP T3.7 zoom. Add To Cart. 8269 E. 23rd Ave., Suite 101 Check out his video below testing out the Cooke 25-250mm T3.1. UDF Anamorphic Ultimate Director's Finder. Close Focus from Lens Front – 5’7” If yes, I would love to know. New Products. The only other option and the one that excites even more is LOMO 25-250mm F3.5/T4.4 which has same range as Angenieux, (just slightly slower), but looks like a real beast and is actually cheaper than the Angenieux zoom. Search The best Vintage Glass for your project. This is not the Angenieux 25-250 HR but a much smaller and older unit. I’ve joined the ebay affiliate program to help me run this website, fund my tests & lens giveaways, so if you find this content useful and would like to help me produce more similar content, please use the links in this post if you’re planning to buy one of these lenses or bookmark and/or use this link if you want to buy anything else on eBay.com or this link if you shop on eBay.co.uk. Arri Amira, Canon K35, Laowa 24mm Macro Probe, 90mm Macro Kilar and Angenieux 25-250 Vintage Zoom Lenses Negative Format : ProRes 4444 Cinematographic Process : Digital Intermediate (4K) (master format) ProRes 4444 (2.8K) (source format) Printed Film Format I personally love Russian lenses. I try my best to make this website a great resource for people interested in vintage lenses for video use, so I hope you’ve enjoyed this & other posts. On B Camera, operated by Brett Hurd, we used a personal lens I own which is a vintage, 1970’s-era original Angenieux 25-250 zoom. Angenieux 25-250 HR (High Resolution) T3.5 in excellent condition. If you can find one in good condition for under $3k, then go for it, but anything over $6k for me is just not worth it. Angenieux Optimo 28-76mm T2.6. It will bring a vintage image style to your project. Body has some tape residue on it and typical finish Slightly softer lenses have more organic, filming look, which often is more desirable, especially close-ups of women; and like another great DP & educator, Ryan E. Walters says they help take the edge off the digital nature of modern cameras. Testing flares created by a 50+ year old lens for an upcoming indie feature film directed by John Yost. This is a fantastic article. ” Roger Deakins actually prefer older, softer lenses for certain situations” CHINON MULTI-COATED 55MM F/1.7 REVIEW + TEST. This is a great article…but what does this lens LOOK LIKE ? The modern Angenieux equivalent will set you back about $35-50k, so it’s almost the same as it is with vintage photo glass, which is also often 10 times cheaper than the modern equivalent. Considering that PL mount was only introduced in 1982 this is not surprising because both lenses below are older than that. Again, you can’t expect it to be as sharp as modern PL glass, but for such crazy zoom range it’s not bad. The modern Angenieux equivalent will set you back about $35-50k, so it’s almost the same as it is with vintage photo glass, which is also often 10 times cheaper than the modern equivalent. Cooke, Panavision, Angenieux, Zeiss, and ARRI. It’s still not cheap at comparing to photo glass, but at least it’s a proper super35mm cine zoom. The flare they produce is beautiful too as you would expect from such lenses, but they are far from perfect, not that you can expect anything much more from a PL zoom with such incredible range and reasonable price tag. Please fill out the from below, and someone from ACamera will be intouch with you soon to answer your questions. Test of a series of Vintage lenses to see their inherent qualities and specifications in comparison with each other. Red Epic with old Angenieux 25-250 Lens test. visit our website for rentals. I have an opportunity to buy an older Angenieux 25-250 (10 x 25 T2.) 303-903-0478 Angenieux Optimo (Optimo 25-250 Style) Style Series 25-250mm f/3.2 - T3.5 Professional Quality Cine 10x Zoom Lens. Now, the problem with PL-mount lenses is that they are very expensive, even vintage ones. The footage has zero color correction, I imported the raw R3D files into premiere edited them … This Lomo reminds me of Helios 44-2 which is my favorite vintage lens. Phone: Vintage Angenieux Zooms: 24-480 zoom T6.3 PL mount 20-120 zoom T2.8 , 3.5ft close focus 25-250 zoom T3.9 PL mount ADD ONS: 25-250mm HR T3.5 Angenieux Angenieux Optimo 24-290mm T2.8 . Previous page; Page 3 of 10 Next page; Quick links. Ultra-16 Bolex SBM Rex-5 Movie Camera + Kern Switar 17-85mm Lens. Thank you. Copyright © 2021 Vintage Lenses For Video, I try my best to make this website a great resource for people interested in vintage lenses for video use, so I hope you’ve enjoyed this & other posts. FJS International sells gear from Arri, RED, Zeiss, Angenieux, Leica, LOMO, Kowa, GL Optics, Sigma, Rokinon, SONY, Cooke, Canon, Schneider, Tokina, Mamiya. I’ve been recently asked for advance on a proper vintage cine lens for around $1000-2000 that would work with a Super35 sensor cameras like Canon C100/300, Sony FS100/700 & others. This is a review of the Angenieux 25-250 HP T3.7 zoom. Lens Font Diameter - 136mm from Red Point Digital Business . If I had money I would seriously consider this for my FS100, because I really love the look this lens produces. If you think about PL mount lenses in general, $2.5k is actually very little, especially for a lens with such range. I think it’s quite a relevant question as a lot of people would love to own a proper cine lens, but a few can afford one, let alone a set, so we settle for modern or vintage photo glass, which is awesome, but it doesn’t take a genius to know there can’t be anything better than a lens that been specifically designed for video. ANGENIEUX 25-250 T3.9 VINTAGE ZOOM LENS BNC MOUNT. Bolex Rex-4 16mm Movie Camera (Rex-o-Fader and 10x Viewer) Angenieux EZ-2 . All Optimo Style lenses are carefully manufactured to achieve a resolution of 4K and beyond, making them a sound investment for years to come. There are many benefits a proper cine lens has over an average photo lens, which include longer focusing through (easier to focus with), step-less aperture adjustment (essential for video work, found on some photo lenses, but usually smoother on cine lenses), precise markings & follow focus gears (essential for focus pullers), minimal breathing (not a problem for photos, but off-putting on video, present even on expensive photo lenses), sturdy & solid construction (will withstand abuse of professional production, demanding working conditions like handling strong wireless follow focus motors). READ MORE. These start anywhere from $2.5k in average condition and can go up to almost $10k in excellent condition. So when I was asked about a cine lens that would cover a Super35 sensor, PL mount is the only option I could think off. ANGENIEUX 25-250 T3.9 VINTAGE ZOOM LENS BNC MOUNT. Angenieux 25-250 vintage T4.1 . However, it’s interesting to explore some old and rare gems on the list, like the Canon K-35, vintage Cookes, and more. I’ve joined the ebay affiliate program to help me run this website, fund my tests & lens giveaways, so if you find this content useful and would like to help me produce more similar content, please use the links in this post if you’re planning to buy one of these lenses or, if you want to buy anything else on eBay.com or. It brings a vintage image style to your project. Click the button below to add the SOLD - 35mm Angenieux 25 - 250mm PL Mount Zoom Lens to your wish list. This lens starts with what is currently known as Angenieux Optimo Style 25-250mm T3.5 zoom. Can anybody tell me anything about this lens or how it would behave on a RED ONE? Zoom Ratio – 10X READ MORE. Now when it comes to image quality the 25-250mm produces, they as I expected are softer than modern PL lenses especially wide open, but according to some owners of these, they get pretty sharp at 5.6 and higher. NEW! The MB-28 Studio Matte Box is a rod based matte box that holds 6x6 filters and has 3 filter stages. So much character and great range too. T-Stop Range – T3.5-22 LIST OF CONTENTS: - Angenieux 25-250mm T3.9 comes with front & back caps (PL Mount) - Support Ring - Zacuto 15mm Lens Support - In a Green Hardcore - SERVICED by DUCLOS The Optimo Style family is initially comprised of two light weight zoom lenses with an optional motorization system, and a 10x zoom lens inspired by the legendary Angenieux 25-250mm zoom. Denver, CO. 80238 Vintage Angenieux Zooms: Angenieux introduced its Zooms in the 1960s around the same time the Cooke Speed Panchro and Super Baltars were popular. The Angenieux 17-102mm was popular before the Angenieux Optimo line came out and can be used for a more vintage look. ... READ MORE. Bought this lens a little while ago, it's an old 35mm lens that has a PL mount. A lot of top DPs including Bruce Logan, Rodney Charters, Claudio Miranda, and Roger Deakins actually prefer older, softer lenses for certain situations. This website or its third-party tools use cookies, which are necessary to its functioning and required to achieve the purposes illustrated in the cookie policy. Overall image certainly has a softer, dreamy, vintage look, which is not necessarily a bad thing. Flares are mind blowing, looks quite sharp too. I’ve done a lot of research and there are literally no native PL mount lenses at all that would cover super 35mm sensor with a $1000-2000 price tag. Angenieux Optimo 24-290mm T2.8 Angenieux HR 25-250 T3.5 Zoom Angenieux HP 25-250 T3.7 Zoom *ADD a Veydra 1.2x Expander for full 4K coverage! The 25-250 HR is a zoom lens with a constant volume, completely airtight, and therefore particularly useful for difficult shooting conditions. The main and most obvious choice would be ANGENIEUX 25-250mm F3.2/ T3.9. As recently as last year in an interview Roger Deakins dismisses vintage lenses as a “fad” something he never quite understood why anyone would want to ruin the images with these older flawed lenses. I really hope this will help some of you looking into affordable cine lenses. The Angenieux glass formula is … The modular FF-5 is a follow focus unit compatible with both lightweight and studio rod systems. The mechanics of focus, zoom and iris is smooth; no problems. READ MORE. There is very little info about this lens on internet, but the reason why this lens is so exciting to me is this video: To me it looks like it’s actually a nicer lens than the Angenieux and like I said, considering it’s cheaper, the value for money is much better. Everything about the lens is tip-top with pristine glass. Get Directions. This website uses cookies to improve your experience while you navigate through the website. Below are some videos I found that have been shot with this zoom including a music video here that I can’t embed : All in all, I think the ANGENIEUX 25-250mm F3.2/ T3.9 is not bad, it all depends on how much you’ll have to pay for one. Preston Digital Microforce Zoom Control to control zoom by wired motor. Used; in very good condition. This site uses Akismet to reduce spam. Although there are none of these on ebay at the time of writing, here is one that sold recently for $2.7k and even though it doesn’t seem to be cheap, Angenieux in such condition would probably generally have a price tag of $6-10k. READ MORE. Director's View Finder . Century / CANON 150-600mm T5.6 . I sure hope they will help you save some money on your future lens investments too. This is the HR version, So for a vintage lens, this has quite modern mechanics and glass. The Best Lenses for Film, Video, and Photography, vintage and rare, 35mm and 16mm movie cameras, digital cinema cameras, Anamorphic and Spherical. Sigma High Speed Zoom Lineup . The improvement was to reduce the T number of the diaphragm, make a more robust housing and improve the mechanics of the zoom system. Deakins preference is for the “sharpest, cleanest artifact free” lens he could find and at the moment it is the Zeiss Masteer Primes. $4,995.00. The improvement was to reduce the T number of the diaphragm, make a more robust housing and improve the mechanics of the zoom system. Thank you very much! Its amazing how a bit of fake news a few years ago brought about a craze vintage lenses amongst cinematographers. Weight – 10.5 lbs. Angénieux is the manufacturer of the highest quality optics cinema lenses for broadcast and film industries, infra-red goggles, high precision modules. Still and Super 8. The only reason he would use a bad lens if the scene deliberately called for it, same reason he would use a phone camera for a scene if it calls for it. You will not be spending a penny more using these links, while still helping as eBay will pay out a small percentage from any purchase or successful bid, which in turn will support new content on www.vintagelensesforvideo.com. Were tested: Lomo anamorphics 35 (square front), 50 and 75mm T2.5, Cooke 20-200 T3.1, Angenieux 25-250 T3.9, with and without a Schneider/Century Optics PL doubler Nikon 80-200mm T3 (Allstar PL rehousing) READ MORE. Address: Now when it comes to image quality the 25-250mm produces, they as I expected are softer than modern PL lenses especially wide open, but according to some owners of these, they get pretty sharp at 5.6 … S/N: 1571766 cn1092 Technical Specifications Mount: Arri PL Focal Range: 25-250 mm Iris: T3.5 Front Diameter 156 mm Close Focus: … Do you guys think these are worth it? Regular price $3,800.00 Sale price $2,850.00 Sale. A great DP and fellow fan of vintage lenses, Timur Civan wrote a very nice post about the Cooke’s 25-250mm alternative, which is more expensive than the 2 lenses above, but his a lot of his thoughts about the Cooke lens will certainly apply to the Angenieux and Lomo above, so if you’re thinking about buying one of these lenses, make sure to read that post too! The Optimo Style 25-250mm T3.5 10x Zoom Lens from Angenieux delivers optimized optical quality with low chromatic aberration, telecentricity, and low distortion for S35 digital cameras. 7 years ago. OSC's Camera House offers a complete range of professional quality cameras, from Old School vintage cameras to the latest digital cameras on the market. The 25-250 and 20-120 also have absolutely gorgeous flaring characteristics and are relatively warm but sharp. 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