Image Stabilization: No. The color tone of a lens is really something you should look at closely if you are going to be using both prime and zoom lenses from different manufacturers. meike 35mm aps-c f/1.7 fujifilm fx mount A simple yet impressively versatile lens, the FUJIFILM X-mount MK-35mm f/1.7 Lens from Meike is a 52.. ₱3,419.00 ₱3,799.00 -10% Minimum Aperture: 22.0. Investing in a full-frame lens is going to cost you a lot more money than buying one that just covers S35 sensors, and you need to factor that in when considering what to buy. Fit：M4/3. Meike 35mm T2.2 cine lens Designed specifically for mirrorless mount cameras, the Meike 65mm T2.2 cinema prime lens is a compact, sharp, wide angle lens for popular Micro4/3, Sony E, and Fuji X mount cameras such as the Panasonic GH4, GH5, GH5s, Blackmagic Design Pocket Cinema Camera, Pocket Cinema Camera 4K, Olympus OM-D E5 MKII, A7SII, A7RIII, F55, FS100, FS700 MKII, XT-3, XT-4, and many others. Pre-Sale is heating up Get Time-Limited $40 OFF Now,the offer closes on 20th January,2021 SHOP NOW: https://meikeglobal.com/collections/full-frame/products/meike-prime-35mm-t2-1-cine-lens-for-full … Package will be shipped from Chin... Meike T2.2 Cine lens Kit ( 4 FuJi-X Mount T2.2 LENS KIT: Optional in 25mm 35mm 50mm 65mm 85mm/Cine lens Kit ) -Fast Delivery The mechanics and build quality are good for a sub $600 USD lens. Again, this might be a minor complaint, but both of them should line up. A user swappable EF/PL mount would have made a lot of sense, especially given the target audience for this lens. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. The thing I did notice is that the infinity marking in meters doesn’t line up with the infinity marking for feet. This manual lens is available in various lens mounts, including MFT, Sony E-Mount, and FUJIFILM X-Mount. This Cine lens lineup consists of 12mm, 16mm, 25mm, 35mm, 50mm, and 65mm lenses. This new series is slightly different from the existing APS-C coverage lenses they already make. The lens has a 77mm front filter diameter so you can easily attach common sized filters. Groups/Elements: 10/8. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. Wide-open it does produce quite a bit of veiling and you don’t get much in the way of nice flaring. In fact, I did a few tests with the lens on the Panasonic S1H to see what modes it would cover. The above tests were shot on the BMPCC 6K in 6144 x 3456. The 35mm T2.1 tips the scales at 910g (32oz) in PL mount, and 940g (33.16oz) in Canon EF mount. 35mm T2.2 Manual Focus Cinema lens. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. Electronic Communication: No. The mounts are not swappable. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. Despite only having a T2.1 maximum aperture, the lens is still capable of creating good separation from your background and the bokeh is pleasing. It’s also tenths of a mm so not overly noticeable. Nice bokeh is something you want if you are purchasing a prime lens. 35mmT2.1-Meike's Second Lens of the Full Frame Cine Lens Line. On spherical lenses the angle of view does change slightly as you focus rack thus making for perspective/angle of view shift. This new series is slightly different from the existing APS-C coverage lenses they already make. 8mm T2.9. According to MEIKE, this is a purpose-built cine design and not a rehoused stills lens. Now, this particular lens is only available in Canon EF or PL mounts. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. MEIKE will be releasing more focal lengths going forward. ** total_quantity ** | ** unit_price ** / ** unit_measure **, Meike T2.2 Cine lens for Fujifilm X mount MK-35mm T2.2 with APS-C-Fast Delivery, Meike 25mm T2.2 Cine Lens for Fujifilm X Mount Cameras-Fast Delivery, Meike Cine Lens 50mm T2.2 for Fujifilm X Mount -Fast Delivery, Meike T2.2 Series 3*Cine lens Kit for FuJi-X Mount -Fast Delivery, Meike T2.2 Series 5*Cine lens Kit for FuJi-X Mount -Fast Delivery, Meike T2.2 Series 4*Cine lens Kit for FuJi-X Mount -Fast Delivery, Meike Cine Lens 65mm T2.2 For Fujifilm X Mount Cameras-Fast Delivery, Meike Cine Lens 85mm T2.2 For Fujifilm X Mount Cameras-Fast Delivery. Package will be shippe... Meike New Arrival Having a 77cm front filter thread allows you to use common sized filters which is important if you plan on using this lens on mirrorless, DSLR, or small-sized digital cinema cameras that don’t have built-in ND. Meike recently announced its new 35mm T2.1 cine lens that covers S35 sized sensors. A slight change in focal length may happen if there is a floating element that moves and is not properly corrected for in the design. The X mount 85mm T2.2 Manual Focus Cinema Lens covers Super35/APS-C sensors and offers a minimum focus distance of 35". The optical and mechanical design of the Meike primes appears to bear a striking resemblance to that of the original Veydra lenses, but there are a few key differences. In the 6K (5952 x 3968) mode you will get a reasonable amount of vignetting, but nothing a little crop in post wouldn’t fix. Meike 28mm f/2.8 fixed manual focus lens for Mirrorless Camera Fujifilm X-A1 XA2 $ 149.24 Add to cart Meike MK-F-AF3 Metal Auto Focus AF Macro Extension Tube 10mm 16mm for Fujifilm This may be a very small and minor issue, but it is worth noting. MK-25mm T2.2, MK-35mm T2.2,MK-50mm T2.2,MK-65mm T2.2,MK-85mm T2.2 Meike. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. Perspective shift is the focal length of the lens being modified by the movement of the optics. Additionally, via social media, Meike teased a 50mm T2.1 FF-Prime cine lens that's aimed toward full-frame cameras. Meike recently announced its new MK-35mm T2.2 Cine lens that comes in three different variants supporting Micro Four Thirds (MFT or M4/3), Sony E, and Fujifilm X mounts. https://meikeglobal.com/collections/meike-cine-lens-for-fuji MEIKE New Released Meike announced the 35mm T2.1 FF-Prime cine lens which is Meike’s second full-frame cine lens. That is focus shift from intentional breathing design. Focal Length: 25.0-25.0. A site for working professionals in the TV & Film industry. The Meike could arguably give much more expensive lenses a run for their money. Meike MK-N-50-2.0 50mm f 2.0 Large Aperture Manual Focus lens APS-C For Nikon 1 mount mirrorless camera Nikon V1 J1. A flexible prime, the FUJIFILM X-mount MK-50mm f/2 Lens from Meike is a 75mm equivalent lens characterized by its bright f/2 maximum aperture to suit working with selective focus techniques as well as in difficult lighting conditions. In saying that, S35 glass is generally going to be lighter and more affordable. There is just the tiniest amount in the corners. MK-25mm T2.2, MK-35mm T2.2,MK-50mm T2.2,MK-65mm T2.2,MK-85mm T2.2 It is available in either PL or Canon EF mount. The story behind Meike is a little long and complicated and if you need more information than what is presented in the video above check out this article by Matt Duclos. Length: 3.6" Lens Type: Specialty. Meike 16mm T2.2 Manual Focus Wide Angle Fixed Prime Cinema Lens for M43 Micro Four Thirds MFT Mount Cameras and Cinema Camera BMPCC 4.3 out of 5 stars 38 £419.99 £ 419 . Note：This set does not include a len... Meike T2.2 Cine lens Kit ( 5 FuJi-X Mount T2.2 LENS KIT: 25mm 35mm 50mm 65mm 85mm/Cine lens Kit ) -Fast Delivery Meike... Meike 25mm T2.2 APS-C Large Aperture Manual Focus Prime Low Distortion Mini Cine Lens for X-H1 X-Pro2 X-E3 X-T1 X-T2 X-T3 X-T10 X-T20 X-A2 X-E2 X-T... Description：Compatible with Fujifilm X Mount Cameras X-H1 X-T3 X-T20 X-T10 X-T2 X-Pro2 X-E3 X-T1 X-A2 -T100 X-E1 X30 X70 X-M1 X-A1PROS:Very, very s... Meike T2.2 Cine lens Kit ( 3 Fuji X Mount T2.2 LENS KIT 25mm 35mm 50mm/Cine lens Kit with MIC ) -Fast Delivery Meike has done a really good job with this lens and I think once they have more focal lengths available they are bound to be a popular choice with shooters looking for affordable cine prime lenses. This probably gives the Meike lenses a little bit of an edge as they aren’t competing directly against a lot of other lenses. Fit：SONY-E/FUJIFILM-X/M4/3 （OLYMPUS/Panasonic）. The MIEKE 35mm T2.1 S35-Prime Cine Lens will retail for $539.99 USD and it will start shipping next month. You usually can’t have your cake and eat it too. Model Number: MK25F2.2FX. As expected, the lens is nice and sharp, even when used wide open. The Newsshooter forums have just launched. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. The minimum focusing distance is 48cm (18.9″). Mount: Fuji. The lens also has 11 aperture blades. Lens Type: Standard Lens, Telephoto Lens In Stock Free Expedited Shipping Meike 65mm T2.2 Manual Focus Cine Lens for Fujifilm X-Mount Cameras If you try to shoot in the 5.9K full frame then there is a tiny bit of vignetting, but it is only very minor. The 50mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. The 35mm T2.1 consists of 12 Elements in 10 Groups. The 35mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. What you will always see is some perspective shift which is normal when refocusing a lens. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. The 50mm T2.1 is expected to offer 6K and 8K resolutions covering large image circles up … Let’s face it, a lot of us are not shooting on the RED DSMC2 Monstro 8K VV, or an ARRI ALEXA Mini LF, although in saying that, there are now quite a few affordable full-frame digital cinema cameras such as the Canon C500 Mark III, Sony FX9, Kinefinity MAVO LF, and the Z CAM E2-F6 Full-Frame 6K and 8K. As you can see in my tests, sharpness does improve as you stop the lens down, but the difference between when the lens is set at T2.1 and T8 isn’t as huge as you may think. The fact that the lens will cover quite a few full-frame sensor cameras when shooting in 4K DCI or UHD adds to its versatility. The reason this lens is only $539.99 USD is that it is only T2.1 and it only covers S35 sensors. I personally didn’t like the lens flare from the Meike, but that is just my personal opinion. Max Aperture: 2.2. The manual lenses are available in Micro Four Thirds, Sony E, and Fuji X mounts. Description... Meike Cine Lens T2.2 Set for X mount: Despite only having a T2.1 maximum aperture, because the lens has 11 aperture blades you can create some nice bokeh. The T2.2 maximum aperture enables working in difficult lighting conditions and also offers increased control over depth of field. 99 John Riley reviews the Meike 6.5mm f/2.0 Fisheye lens, available for mirrorless cameras in Micro Four Thirds, Sony E, Fujifilm X and Canon EF-M lens mounts. Fit：M4/3 Min (OLYMPUS/Panasonic Lumix) 16mmT2.2Manual Focus Cinema lens… Filter Size: 77.0mm. The 270 degrees of focus rotation allows you to make finite focus adjustments without the associated problems of using stills glass. This is Meike’s second full-frame cine lens and it now joins the 50mm T2.1.Both the … There is actually not a lot of competition in the S35 cinema prime marketplace, especially for lenses that come in either PL or EF mount. They have the same T-stop, however, they cover full-frame and larger sensors. That is reproduction size. I did this because the industry is moving quickly and I would prefer to spend my money on something that is going to be slightly more future proof than a lens that just covers an S35 sensor. Meike has announced its 35mm T2.1 cine lens that covers full-frame sized sensors. A bright small cine prime, well suited for Super35 cameras, the Meike 35mm T2.2 Manual Focus Cinema Lens with Fujifilm X-mount is a versatile lens suitable for high-resolution cine cameras. Wide-open at T2.1 you don’t get any chromatic aberration or see any color bleed on the bokeh. $89.99. Most cine prime lenses being made today cover full-frame and larger sensors. Cine Lens. Certainly, the great majority of lenses have this issue. As the lens covers an image circle of 33.6mm I wouldn’t expect to see any vignetting or light fall-off when used on most S35 sized sensors. The BMPCC 6K has a 23.10mm x 12.99 sized sensor. High-Quality Optics. Think of it like Macro. 12mm T2.2 Manual Focus Cinema lens. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. The focus and iris rings are nicely weighted, however, the focus ring has noticeably more friction when moving towards infinity than when it is moved back towards its minimum focus distance. He is the Editor of Newsshooter.com and has been writing on the site since 2010. Special guest Matthew Duclos from Duclos Lenses discusses his early involvement in the Veydra project and the features of the Meike mirrorless cinema lenses. Focus breathing is a change in image size so the size of object will get larger as it moves out of frame. All of them support a fixed wide aperture of T2.2. I tested out the lens by doing large focus throws by hand, and to my eye, there is a little bit of breathing. This isn’t a fast prime lens, so I would expect the sharpness to be pretty good, even when using it wide open at T2.1. Minimum Focusing Distance: 0.8feet. Meike Cine lens MK-35mm T2.2 Large Aperture Manual Focus Prime Low Distortion Mini Cine Lens for Fujifilm X mount It features focus scales marked in both feet and meters with both focus and iris marks on both sides of the lens. Image shift is the change in location of a fixed point after a focus rack. Wooden Camera 4 x 4″ Filter Zip Box for 80-85mm Exterior Diameter Lenses, Think Tank Photo Logistics Manager V2 Rolling Cases, Ignite Digi TB50 Power Pack for RED Komodo. In saying that, it is very minimal and not distracting. The lens is being touted as an affordable, compact-sized cine prime lens. Mfr. Meike Cinema Prime 25mm T2.2 Fuji X Lens Designed specifically for mirrorless mount cameras, the Meike 25mm T2.2 cinema prime lens is a compact, s... View full details $399.99 When you stop down to T5.6 the flare and veiling are very well controlled. I wasn’t really sure how this lens was going to perform or look before I started testing it. Meike MK-FX-28-2.8 28mm f/2.8 fixed manual focus lens for Fujifilm Mirrorless Camera xt1 x-pro1. No lens technically has zero breathing, but very good cinema glass has such minimal amounts that it is virtually impossible to see. You may be thinking that the big downside of this lens is that it only covers S35 sensors, however, with a 33.5mm image circle, it isn’t too far away from covering full-frame sensors. In saying that, there is still a lot of similarities between this new lens and some of the existing models. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. With the industry pushing forward with larger sized sensors, investing in S35 glass may not be the best idea. Meike has just announced a new lens in their Cine Lens lineup for mirrorless cameras: the Meike 35mm T/2.2. It looks to be a good option if you are thinking about getting a dedicated cine prime lens, but don’t have a lot of money to spend. The lens feels solidly made (especially for a lens at this price). The 50mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. This is mainly because the physical size of the lens barrel isn’t that big. The lens does maintain a good amount of contrast even when a bright light source is coming directly down the barrel. I personally preferred the look of the flare when you use the lens stopped down. Meike 40M DC Underwater Waterproof Case for Sony NEX-3 Camera NEX3 16mm lens ship to:Donets'ka Oblast' Ukraine 23:42 MeiKe MK-D80/MB-D80/BG-90 Battery Grip for Nikon D80 D90 Focus Scales: Imperial. Item Type: Lens. Meike 6.5mm f/2.0 Ultra Wide Circular Fisheye Lens for Fujifilm X Mount Mirrorless APS-C Camera X-Pro2 X-E3 X-T1 X-T2 X-T10 X-T20 X-A2 X-E2 X-E2s X... View full details $129.99 The Meike 35mm T2.2 Cine is a versatile, bright cine lens designed for high-resolution Fuji X-mount cine cameras with APS-C sensors. The Meike lenses are claimed to be optically and mechanically better. Its 2.2 maximum aperture lets you work in low light and gives you excellent depth-of-field control. The angle of view is not overly effected in that case because it is flat field focus. As I have already mentioned it will cover S35 sized sensors. Let’s take a closer look at it. This is a nice sharp lens that can certainly be used wide open. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. The PL-mount version is 98.5mm (3.88″) long and the Canon EF mount version is 106.5mm (4.19″) long. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. As far as affordable Canon EF mount cine prime options are concerned, lenses like the SLR Magic APO MicroPrime Cine lenses could be considered competition. However, the actual image circle coverage is 33.6mm. It is possible to manually pull focus from infinity to the minimum focusing distance in one go, despite the large 270 degrees of rotation. The company told me that they will have an 18mm, 25mm, 50mm, 75mm, and a 105mm T2.1 with EF/PL mount as well in the future. $80.99. While the markings are a little off and the lens rotation has different resistance depending on whether you are moving towards infinity or back towards minimum focus distance, these are things I can certainly live with on an affordable cine prime. I honestly wasn’t expecting to get great bokeh from an S35 lens with a T2.1 aperture, but the Meike pleasantly surprised me. What will work for you will also depend on what camera you are using. If you wanted a faster lens and something that covers larger sensors then the price and size of the lens would both increase. In summary, perspective shift is the effective focal length change (angle of view change) and focus shift is reproduction size of the object changing as focus moves. It offers good performance in a relatively lightweight and affordable package. A bright Fujifilm X mount cine prime, the 25mm T2.2 Manual Focus Cinema Lens from Meike is a versatile lens suitable for high-resolution cine cameras. Certain prime and zoom lenses work better together than others. The Meike 35mm T2.1 S35-Prime Cinema Lens surprised me in a good way. Hood Included: No. For a lens at this price, the breathing is very well controlled. In a lot of ways, lenses like these offer cine-style mechanics at the price point of a normal stills lens. Brand Meike Lens Type Fisheye Compatible Mountings Fujifilm X Maximum Focal Length 84 Millimeters Minimum Focal Length 8 Millimeters About this item Lens Structure:11 elements in 8 groups Aperture Range:F3.5-F22 Lens Structure:11 elements in 8 groups Aperture Range:F3.5-F22 Focal range：8mm Number of aperture blades:9 The lack of chromatic aberration is nice to see, but in saying that, with a T2.1 lens I didn’t expect to be seeing any in the first place. This is still quite a lot of weight for a small lens. The bokeh produced is reasonably nice and round and you can create some beautiful out of focus areas by using the lens wide open. Like what we do and want to support Newsshooter? Meike Cine Lens T2.2 Set for X mount: The build quality and mechanics are good, especially at this price point. The markings on the lens are shown in both feet and meters, which is a little unusual. There is certainly a push by manufacturers to bring out full-frame and larger digital cinema cameras, so lenses that cover full-frame and larger sensors are going to become more popular. Meike mirrorless cinema primes are compatible with all Mircro4/3 MFT mount and Fuji X mount cameras available in focal lengths of 12mm, 16mm, 25mm, 35mm, 50mm, and 85mm (coming soon). The Meike was able to cover 4K DCI and UHD full-frame modes on the S1H with almost no vignetting. The barrel is significantly small enough that you can pull focus from infinity to the minimum focus distance by hand. The lens is fairly neutral when it comes to color, if anything it is slightly cooler in tone. It should be in the same spot after you rack focus. Description：Compatible with Fujifilm X ... Meike Global strives to have advanced technology, reliable quality, scientific management, to provide customers the first-class products and services. I don’t generally shoot on a full-frame digital cinema camera, but I have still personally chosen to invest in full-frame prime lenses. The lens has a focus throw of 270 Degrees and both the iris and focus ring feature industry-standard 0.8 pitch gears. I suppose this saves on making multiple versions and it helps to keep the cost down. Weight: 1.23 lbs. Versatile, Bright Cine Prime.
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